| Always Leave 'em
Dying
First published 1954 Richard S. Prather This'll
kill you . . . it almost killed me, tangling with that cult of evil and
its high priest of lechery. A gorgeous lamb had been sacrificed on the
altar of sin, and another chosen to follow her. Their leader was a man
in black looking like an undertaker who'd embalmed himself by mistake. He
offered me a helping hand—with a gun in it. "Shell Scott," he said,"it
is my sacred duty to kill you."
GM #413 #598 #849 #s1040 #k1448 #d1774 #r2261
|
| The Amber
Effect First
published in 1986 Richard S.
Prather Not a Fawcett publication She's in
danger and she's the perfect client for Scott: 125 pounds of naked beauty
standing in his doorway. Aralia Fields is asking for help . . . Someone
who tried to kill her is now lying dead on her apartment floor. Heart
attack. Aralia, Miss Naked California, is about to compete in the Miss
Naked USA contest. If she lives . . . When the cops arrive, Aralia is
clothed, somewhat, and Shell is a target. He knows why people want to kill
him, but why pick on a poor, helpless, gorgeous woman? It takes some
tough detecting and getting hit once or twice, before he can put the
pieces in place, the first piece being a photo of Aralia circled in red in
a magazine. Then there are her mother and her brother and the man she
thought was dead: her father Norman Amber. Amber has invented a new
holographic projection device worth millions. It made him a dead man,
murdered because control of the Amber Effect would make a lot of people
very rich. But first they would have to kill Aralia. TOR
|
| Bodies in
Bedlam
First published 1951 Richard S. Prather Constanza Carmocha was unarmed - that is, she didn't have a gun.
She didn't need one, either. She had all the weapons that have ruined men
from time immemorial - or time immoral. One man had had his throat slit
because of her, another was going to die. She was surrounded by a guy who
resembled a shaved ape and looked as though he could pick himself up with
one hand. But the hand isn't always quicker than the private eye, and
as sure as my name's Shell Scott I'll get to the bottom of this affair
with the deadly dame.
GM #147 #496 #819 #s1242 #k1432 #d1718 #r2211
|
| Case of the Vanishing
Beauty
First published 1950 Richard S. Prather SHELL
SCOTT . . . the shamus who has Sherlock whirling in his grave . . . the
wacky knight-errant of gorgeous gals who leaves a trail of beautiful
bodies behind him (not all of 'em dead) . . . The private dick who's every
killer's public enemy. This caper began when one beauty vanished from
sight and another died in a hail of bullets. Next on the murder list was
lovely Lina . . . Lina, who was hotter than a welder's torch . . . and
Shell Scott had left his asbestos suit at home.
GM #127 #425 #820 #s1249 #k1445
#d1648 #t2376
|
| The Cheim
Manuscript
First published 1969 Richard S.
Prather Not a Fawcett publication Wilfred
Jefferson Jellicoe had disappeared. And his ex-wife, hard-pressed
for her alimony payment, hired Shell Scott to find him. A few hours
after he took the case, Scott was summoned to the bedside of Gideon Cheim,
famed Hollywood producer. Cheim also had an urgent need to know Jellicoe's
whereabouts. For he had entrusted him withe a priceless document - an
autobiography that was to be published only after his death. Now the
Cheim manuscript was missing, along with the man who bound to protect it.
A coincidence? Perhaps. But Scott didn't think so. And if what Cheim told
him was true, the manuscript could be dynamite in the hands of the wrong
person.
|
| The Cockeyed
Corpse
First published 1964 Richard S.
Prather Don't hold your breath waiting for a movie
called "The Wild West" to come to town. Oh, it's wild, all right, but
you'll never see it down to the Bijou on Saturday afternoon. It's one
of those low-budget deals—no clothes—and it stars four really gorgeous
tomatoes (plus a horse that outwits Shell Scott) frolicking in all kinds
of interesting ways. But where Shell Scott goes, so goes murder—and
this one wasn't meant to be part of the cast . . .
GM #k1462 #d1804
#t2302 |